

The OA (2016–2019) created by Brit Marling & Zal Batmanglij
THE AFTERPARTY S02E07 “Ulysses” (2023) directed by Peter Atencio
Series three, which returns later this month, similarly picks up seconds after those final moments, then jumps forward two years. There, the pair have had a messy split and are navigating life in each other’s orbits, all while their mutual friends are having weddings and babies.
Watching series three, I find myself fixating on the show’s relationship with “the meet-cute” – that classic romcom device of a dramatic yet adorable first interaction that signals something significant is on the horizon. We live in an age when apps are perceived to have de-romanticised dating, so people seem to ignore problems in their relationships if they happen to meet their partners the old-fashioned way, meaning in person. Tom and Jessie remind me of that. Their story is so good, so romcom-y, that they constantly overlook the fact that they’re just not that compatible.
I say all this to Matafeo; it’s something I’ve often discussed with friends, but rarely seen explored in pop culture. “Oh my God, yeah!” she says, with the enthusiasm that infects most of her answers. “I think that you put on a pedestal these moments of ‘Oh, but it’s so romantic!’ I have sadly – not sadly, maybe soberly – come to realise that romantic love is very, very different to long-lasting relationships.”
Take series three, where the subject of having kids proves to be a sticking point for the couple – one that is passive-aggressively raised by Tom and dismissed by Jessie, who simply doesn’t care enough to discuss it.
Rose Matafeo on Series 3 of Starstruck, Independent UK
Last year, I interviewed Matafeo’s Starstruck co-star Emma Sidi, who brought up a specific review of the show that had bothered the pair. As soon as I raise the topic, Matafeo knows what I’m talking about. “Oh, the body one?” Yep, the body one. To paraphrase, the reviewer praised the show for featuring two female leads who don’t look like the usual smooth-faced, stick-thin women you see on Instagram. The pair found it exhausting. What did their bodies have to do with it?
Comments like these, Matafeo has found, have become more frequent as the show is broadcast around the world. “You get people being like: ‘Yes, go girl! Great to see a mid-size gal on screen, showing her rolls!’ I’m like… look, I don’t want to… can we just not? I know that it’s a positive thing, but you’re politicising my body in a way that I don’t.”
Matafeo is fired up. I don’t blame her. If it was my body, I’d be equally enraged. “I accept that being a public figure and being in a thing that goes out across the world [means] you’re open to interpretation in what your performance is and what your show is. I’m totally down with that… It’s just always women. You are never saying, ‘Man, it’s so cool to see Bill Hader, or some guy who’s a “tall king”, with stubble or a stomach.’ No. Never. It’s always, always commenting on women’s bodies, when they’re not even speaking about them themselves.”
(Source: independent.co.uk)
IVE HAD THIS QUEUED SINCE MARCH AND IT DIDNT POST ON AUGUST 19TH U HAVE NO IDEA HOW PISSED I AM
manlet-max(Video Transcript:)
A tired looking man in a grey suit holding a cd.
“I shall see you on August 19th”
He then throws the cd.
(End Video Transcript)
Fun fact! Having a job every day is actually a fairly new thing.
In olden times, people had daily chores and other things to do but their workload/ daily working hours was actually much lower than it is today. Even in farming communities.
The concept of working super hard every day actually comes from capitalism, which in turn comes from Puritanical ideology.
The Puritans believed in salvation through work and in no play.
Early capitalists adopted this ideology because it meant higher productivity and therefore more money if their factories were running near constantly.
The idea of needing to be continuously productive in order to be useful/ allowed things like food and shelter, is actually quite an insidious ideal that is deeply rooted in the American culture.
4 day work weeks have actually proven to be more productive than the 5 day week. But corporations won't adopt it willingly because it means less of a stranglehold on their workers.
The wildfires in Maui aren't natural disasters, they are colonial disasters and a direct result of both the fossil fuel industry and the military industrial complex.
Realtors preying on property in Lahaina- while Kānaka Maoli who resided there for generations are now houseless- is a result of greed and disaster capitalism.
Citizen journalists on the ground are reporting on the devastating cost these fires have on their communities and the untold stories in the media about the tourists still actively extracting land and from already limited resources.
pics by slowfactory on ig
HAPA Hawaii support link
Stop Maui land grabs petition
thirdeenI have always wondered who would end up killing me. Shoot me… and in a few minutes the turmoil and the suffering, everything will be snuffed out. Aim here and in an instant, memory, love, desire, your very life, all gone in one go. Painless… Looking at you, i’ll die contented, with a smile on my face. - Veera
RAAVANAN (2010) Directed by Mani Ratnam